Active Nightlife

November 25, 2009

The Thrill’s in the Gunplay, With Lots of Guns to Play With

Filed under: Uncategorized — admin @ 6:58 pm

By SETH SCHIESEL

People go through life looking for different things. Some want money. Others crave fame or are driven by sex. Many are motivated by family. And a few just want love.

As for me, I’m looking for an epic or legendary low-recoil assault rifle with a high degree of accuracy, a rapid rate of fire and the ability to do a lot of damage. Oh yeah, and a decent-size magazine wouldn’t hurt either.

That is what a game like Borderlands can do: turn you into a glazed slot-machine monkey, happily flipping away hours while eagerly plowing through thousands of bad guys and their colorful cascades of loot.

And that’s a compliment, because Borderlands is one of the finest guilty-pleasure games of recent years. It is not edifying, but it is hardly mindless, either. As a combat shooter, it requires focus, though not usually at an artery-taxing level. Borderlands’ crumbling shanties, decaying canyons, garbage glaciers and mutant-infested encampments beyond civilization are vast and artful enough that you can simply drift in them for hours, blowing away everything that moves.

The character development is thin. There is almost no voice acting. The interface is clunky and a bit annoying. The online multiplayer modes are rough and in need of much polishing. And yet I have spent more than 30 absorbing hours with Borderlands, which is at least two times longer than most big-budget games last these days, and I know there are still places I haven’t been, styles of play I have not fully explored, missions I have not fulfilled and, of course, shiny treasure I haven’t yet nabbed.

In most first-person shooter games, the focus is strictly on the action — the moving and shooting — while the virtual character you control does not actually change or grow over the course of the game. Borderlands is different in that it borrows heavily from the role-playing genre, in which customizing your character’s skills, developing its core attributes and outfitting it with devastating equipment are some of the most important aspects of the game.

Role playing usually means fantasy, but not here. Borderlands, developed by Gearbox Software and published by 2K Games for the PlayStation 3, Xbox 360 and Windows, is set in a post-apocalyptic, “Mad Max”-style science-fiction world called Pandora. (I played mostly on a Windows PC from Nvidia.)

So, as befits the setting, treasure means guns, lots and lots of guns, millions even. You’ve got your automatic pistols, revolvers, shotguns, machine guns, rocket launchers, sniper rifles, submachine guns, alien pew-pew variants and more. Every time you decapitate or otherwise neutralize a tooth-baring varmint, crazed ax-wielding midget, giant worm, mercenary soldier or avenging galactic angel, randomly generated loot drops. Each weapon has at least a dozen characteristics, and Gearbox makes those differences seem real and relevant to how you use each tool of destruction.

Of course there are crates, chests and cabinets scattered all over the place, and you never know what could pop out: grenade modifiers, skill-enhancement units, shields, alien artifacts.

The analogy to a slot machine was not made lightly. With both automated casino games and video games like Borderlands, the key is intermittent rewards delivered on a variable schedule accompanied by monotonous but catchy audio and visual cues like bright colors and chiming noises. It is a difficult and subtle formula to master: casino gaming companies spend millions refining slot machines to exert just the right psychological pull.

The slot machine model of loot distribution and game play was pioneered by Blizzard Entertainment’s Diablo series, which remains the best example of the approach. Many companies have tried to replicate the Diablo model and have usually failed. Outside of the Diablo franchise, Borderlands is certainly the best game of this sort. Like Diablo, Borderlands has a mature, gritty sense of style, best reflected in the irresistibly infectious Borderlands theme song, “Ain’t No Rest for the Wicked,” by Cage the Elephant, and maintained through its bold, comic-book-inspired art direction.

I’m not expecting Diablo III before 2011. Until then, I’ll be happily ventilating mutants and chasing the assault rifle of my dreams in Pandora in Borderlands.

November 24, 2009

Airlines Fined for Stranding Passengers on Tarmac

Filed under: Uncategorized — admin @ 2:51 pm

By THE ASSOCIATED PRESS

WASHINGTON (AP) — The government is imposing fines for the first time against airlines for stranding passengers on an airport tarmac, the Department of Transportation said Tuesday.

The department said it had levied $175,000 in fines against three airlines for their role in the stranding of passengers overnight in a plane at Rochester, Minn., on Aug. 8.

Continental Express Flight 2816 was en route from Houston to Minneapolis carrying 47 passengers when thunderstorms forced it to divert to Rochester, where it landed about 12:30 a.m. The airport was closed and Mesaba Airlines employees — the only airline employees at the airport at the time — refused to open the terminal for the stranded passengers.

Continental Airlines and its regional airline partner ExpressJet, which operated the flight for Continental, were each fined $50,000. An ExpressJet spokeswoman Kristy Nicholas said the airline could avoid paying half the fines if it spends the same amount of money on additional training for their employees on how to handle extended tarmac delays.

The department imposed the largest penalty — $75,000 — on Mesaba Airlines, a subsidiary of Northwest Airlines, which was acquired by Delta Air Lines last year.

“I hope that this sends a signal to the rest of the airline industry that we expect airlines to respect the rights of air travelers,” Transportation Secretary Ray LaHood said in a statement. “We will also use what we have learned from this investigation to strengthen protections for airline passengers subjected to long tarmac delays.”

The passengers of Flight 2816 were kept waiting nearly six hours inside the cramped regional airliner amid wailing babies and a smelly toilet even though they were only 50 yards from a terminal. The captain of the flight repeatedly pleaded to allow the passengers to deplane and enter the terminal.

In the morning they were allowed to disembark. They spent about two and a half hours inside the terminal before reboarding the same plane to complete their trip to Minneapolis.

A passenger Link Christin praised the department for punishing the airlines for their behavior.

“A conclusion that there was some wrongdoing or negligence is more important to me than the amount of the fine,” said Mr. Christin, a lecturer at William Mitchell College of Law in St. Paul, Minn.

John Spanjers, president of Mesaba, said the airline “continues to feel it operated in good faith.”

“However, customer service is paramount, and we are re-evaluating our policies and procedures for the courtesy handling of other airlines’ flights to do our part to mitigate this type of delay,” Mr. Spanjers said.

Continental pointedly noted in a statement that its fines were less than those imposed on rival Delta’s subsidiary.

Besides the fine, Continental also provided a full refund to each passenger and “offered each passenger additional compensation to tangibly acknowledge their time and discomfort,” the department said

nytimes.com

November 23, 2009

Dining at Restaurant Nightclubs

Filed under: Uncategorized — admin @ 6:47 pm

Something new has been rapidly sprouting up across the country in every major city, changing the way we do nightlife forever. Some say it’s the dawn of a new era: the era of the restaurant nightclub. Just like malls revolutionized the shopping experience by providing us with numerous stores at one big location, restaurant nightclubs are doing the very same for the dining and entertainment industries, merging the two into a one-stop destination for your evening that has it all. Essentially, the restaurant nightclub is a new hybrid of these two types of venues. Ideal for dates, be it among budding or established couples, or for gatherings of friends, these hybrids offer dining, dancing and entertainment all in one place, encouraging you to hang out for the night and enjoy yourself instead of hopping around town and having to begin your quest for parking all over again.

But what makes a great restaurant nightclub? Well, the answer to that much depends on what you’re into, but there are indeed a few key areas you should keep in mind when selecting which ones to check out that should make your decision on where to go tonight, tomorrow or next weekend much easier to swallow.

Cuisine

Regardless of whomever you’re going with, it can’t hurt to see what’s on the menu and what type of cuisine is offered at the establishment you’re planning to visit. For example, if the majority of the menu consists of seafood items and someone in your party is highly allergic, you should keep that in mind. With so many different restaurant nightclubs around from virtually every background of cuisine, it’s very easy to find one that appeals to your tastes.

Another item to note when looking into cuisine is whether or not the place has a late night menu. Many restaurant nightclubs will offer a more scaled down version of their menus after typical dinner hours that feature appetizers and snacks. It’s also a great way to catch a fun bite later on in the evening if you ventured out past traditional dinner hours. Plus, having snack items available to you without having to leave while you’re having a wonderful time is absolutely priceless.

Scene

By the same logic of checking out what type of food is served, you should also see what kind of entertainment or music is featured. Some restaurant nightclubs will vary by night of the week. One night could be rock, another karaoke, another filled with live DJ performances. Other restaurant nightclubs offer live dinner shows with professional

talent. Some will book local and even national talent to perform while you dine or for you to enjoy dancing the night away to after eating. If any of these aren’t a style that you enjoy, you should find something that better suits you. The good news is that with so many restaurant nightclubs popping up everywhere, it’s quite easy to find a place you’ll enjoy. After all, ambience is important when you go out and if it’s not a vibe you’re into, it can make for a long evening.

Specials

One of the best ways to maximize your experience at a restaurant nightclub is to look into what kinds of specials are available. Some will have special feature menus on themed nights. Others will have drink specials or hold weekly Ladies’ Nights, one of my personal favorites, truth be told, where ladies drink free. Specials are also a great way to get acquainted with a venue you’ve always dreamed of trying but felt was slightly out of your budget. With the economy in the state of recession it’s currently in, many dining and entertainment venues are responding by offering special discounts on appetizers and entrees or even an inclusive price, much like a cover charge, that includes your meal and drinks for less than you’d expect. That means even the most budget-conscious of us can partake in an evening out without spending a fortune. Additionally, it affords us all the distinct opportunity to have fun on the town and truly savor every drop of excitement the city brings to the table.

articlesbase.com

The Porn Myth

Filed under: Uncategorized — admin @ 1:36 pm

By Naomi Wolf

In the end, porn doesn’t whet men’s appetites—it turns them off the real thing.

At a benefit the other night, I saw Andrea Dworkin, the anti-porn activist most famous in the eighties for her conviction that opening the floodgates of pornography would lead men to see real women in sexually debased ways. If we did not limit pornography, she argued—before Internet technology made that prospect a technical impossibility—most men would come to objectify women as they objectified porn stars, and treat them accordingly. In a kind of domino theory, she predicted, rape and other kinds of sexual mayhem would surely follow.

The feminist warrior looked gentle and almost frail. The world she had, Cassandra-like, warned us about so passionately was truly here: Porn is, as David Amsden says, the “wallpaper” of our lives now. So was she right or wrong?

She was right about the warning, wrong about the outcome. As she foretold, pornography did breach the dike that separated a marginal, adult, private pursuit from the mainstream public arena. The whole world, post-Internet, did become pornographized. Young men and women are indeed being taught what sex is, how it looks, what its etiquette and expectations are, by pornographic training—and this is having a huge effect on how they interact.

But the effect is not making men into raving beasts. On the contrary: The onslaught of porn is responsible for deadening male libido in relation to real women, and leading men to see fewer and fewer women as “porn-worthy.” Far from having to fend off porn-crazed young men, young women are worrying that as mere flesh and blood, they can scarcely get, let alone hold, their attention.

Here is what young women tell me on college campuses when the subject comes up: They can’t compete, and they know it. For how can a real woman—with pores and her own breasts and even sexual needs of her own (let alone with speech that goes beyond “More, more, you big stud!”)—possibly compete with a cybervision of perfection, downloadable and extinguishable at will, who comes, so to speak, utterly submissive and tailored to the consumer’s least specification?

For most of human history, erotic images have been reflections of, or celebrations of, or substitutes for, real naked women. For the first time in human history, the images’ power and allure have supplanted that of real naked women. Today, real naked women are just bad porn.

For two decades, I have watched young women experience the continual “mission creep” of how pornography—and now Internet pornography—has lowered their sense of their own sexual value and their actual sexual value. When I came of age in the seventies, it was still pretty cool to be able to offer a young man the actual presence of a naked, willing young woman. There were more young men who wanted to be with naked women than there were naked women on the market. If there was nothing actively alarming about you, you could get a pretty enthusiastic response by just showing up. Your boyfriend may have seen Playboy, but hey, you could move, you were warm, you were real. Thirty years ago, simple lovemaking was considered erotic in the pornography that entered mainstream consciousness: When Behind the Green Door first opened, clumsy, earnest, missionary-position intercourse was still considered to be a huge turn-on.

Well, I am 40, and mine is the last female generation to experience that sense of sexual confidence and security in what we had to offer. Our younger sisters had to compete with video porn in the eighties and nineties, when intercourse was not hot enough. Now you have to offer—or flirtatiously suggest—the lesbian scene, the ejaculate-in-the-face scene. Being naked is not enough; you have to be buff, be tan with no tan lines, have the surgically hoisted breasts and the Brazilian bikini wax—just like porn stars. (In my gym, the 40-year-old women have adult pubic hair; the twentysomethings have all been trimmed and styled.) Pornography is addictive; the baseline gets ratcheted up. By the new millennium, a vagina—which, by the way, used to have a pretty high “exchange value,” as Marxist economists would say—wasn’t enough; it barely registered on the thrill scale. All mainstream porn—and certainly the Internet—made routine use of all available female orifices.

The porn loop is de rigueur, no longer outside the pale; starlets in tabloids boast of learning to strip from professionals; the “cool girls” go with guys to the strip clubs, and even ask for lap dances; college girls are expected to tease guys at keg parties with lesbian kisses à la Britney and Madonna.

But does all this sexual imagery in the air mean that sex has been liberated—or is it the case that the relationship between the multi-billion-dollar porn industry, compulsiveness, and sexual appetite has become like the relationship between agribusiness, processed foods, supersize portions, and obesity? If your appetite is stimulated and fed by poor-quality material, it takes more junk to fill you up. People are not closer because of porn but further apart; people are not more turned on in their daily lives but less so.

The young women who talk to me on campuses about the effect of pornography on their intimate lives speak of feeling that they can never measure up, that they can never ask for what they want; and that if they do not offer what porn offers, they cannot expect to hold a guy. The young men talk about what it is like to grow up learning about sex from porn, and how it is not helpful to them in trying to figure out how to be with a real woman. Mostly, when I ask about loneliness, a deep, sad silence descends on audiences of young men and young women alike. They know they are lonely together, even when conjoined, and that this imagery is a big part of that loneliness. What they don’t know is how to get out, how to find each other again erotically, face-to-face.

So Dworkin was right that pornography is compulsive, but she was wrong in thinking it would make men more rapacious. A whole generation of men are less able to connect erotically to women—and ultimately less libidinous.

The reason to turn off the porn might become, to thoughtful people, not a moral one but, in a way, a physical- and emotional-health one; you might want to rethink your constant access to porn in the same way that, if you want to be an athlete, you rethink your smoking. The evidence is in: Greater supply of the stimulant equals diminished capacity.

“For the first time in human history, the images’ power and allure have supplanted that of real naked women. Today, real naked women are just bad porn.”

After all, pornography works in the most basic of ways on the brain: It is Pavlovian. An orgasm is one of the biggest reinforcers imaginable. If you associate orgasm with your wife, a kiss, a scent, a body, that is what, over time, will turn you on; if you open your focus to an endless stream of ever-more-transgressive images of cybersex slaves, that is what it will take to turn you on. The ubiquity of sexual images does not free eros but dilutes it.

Other cultures know this. I am not advocating a return to the days of hiding female sexuality, but I am noting that the power and charge of sex are maintained when there is some sacredness to it, when it is not on tap all the time. In many more traditional cultures, it is not prudery that leads them to discourage men from looking at pornography. It is, rather, because these cultures understand male sexuality and what it takes to keep men and women turned on to one another over time—to help men, in particular, to, as the Old Testament puts it, “rejoice with the wife of thy youth; let her breasts satisfy thee at all times.” These cultures urge men not to look at porn because they know that a powerful erotic bond between parents is a key element of a strong family.

And feminists have misunderstood many of these prohibitions.

I will never forget a visit I made to Ilana, an old friend who had become an Orthodox Jew in Jerusalem. When I saw her again, she had abandoned her jeans and T-shirts for long skirts and a head scarf. I could not get over it. Ilana has waist-length, wild and curly golden-blonde hair. “Can’t I even see your hair?” I asked, trying to find my old friend in there. “No,” she demurred quietly. “Only my husband,” she said with a calm sexual confidence, “ever gets to see my hair.”

When she showed me her little house in a settlement on a hill, and I saw the bedroom, draped in Middle Eastern embroideries, that she shares only with her husband—the kids are not allowed—the sexual intensity in the air was archaic, overwhelming. It was private. It was a feeling of erotic intensity deeper than any I have ever picked up between secular couples in the liberated West. And I thought: Our husbands see naked women all day—in Times Square if not on the Net. Her husband never even sees another woman’s hair.

She must feel, I thought, so hot.

Compare that steaminess with a conversation I had at Northwestern, after I had talked about the effect of porn on relationships. “Why have sex right away?” a boy with tousled hair and Bambi eyes was explaining. “Things are always a little tense and uncomfortable when you just start seeing someone,” he said. “I prefer to have sex right away just to get it over with. You know it’s going to happen anyway, and it gets rid of the tension.”

“Isn’t the tension kind of fun?” I asked. “Doesn’t that also get rid of the mystery?”

“Mystery?” He looked at me blankly. And then, without hesitating, he replied: “I don’t know what you’re talking about. Sex has no mystery.”

nymag.com

November 20, 2009

Hollywood is getting a Las Vegas-style makeover

Filed under: Entertainment — admin @ 6:43 pm

by Charlie Amter

The recession has forced many clubs to scale back or go out of business. But new faces are rushing in, some with Sin City connections.

Don’t look now, but in the middle of a recession, night-life players are doubling down, Vegas style, on Hollywood’s return.

Despite a brutal winter that forced smaller area lounges to shut their doors (see Play, S Bar and Hush Lounge) and pushed several others to open fewer nights per week, several operators — some from out of town — are betting that Hollywood’s season of discontent might be coming to an end soon. They’re positioning new venues to catch the crowds if indeed things turn around.

So what will Hollywood look like as 2009 takes shape? More and more like Las Vegas, apparently.

In fact, some of Sin City’s best-known night-life fixtures, Victor Drai and Cy and Jessie Waits (known as “the twins”), are together set to take over the rooftop of the W Hollywood by December to open what promises to be one of L.A.’s most scene-worthy hot spots by this time next year.

“The W Hollywood is destined to usher in Hollywood’s second golden age of glamour and sophisticated night life at Hollywood and Vine,” said Marty Collins, chief executive of W Hollywood developer Gatehouse Capital, from his home near Dallas this month. “The night-life experience planned will be on a grand scale. . . . Los Angeles is in for something very special.”

It remains to be seen just how “special” the glass-walled club, tentatively dubbed Drai’s L.A., turns out to be.

But the Waitses, who have made their name in Las Vegas helping to manage opulent, high-volume destinations such as Tryst and XS for Steve Wynn, plan to go all out to lure celebutantes to the forthcoming nearly 20,000-square-foot club (which was formerly set to be run by Pure Management Group).

“We really know how to take care of people, and we work hard,” said Cy Waits on Wednesday. “We have a lot of L.A. regulars excited that we are coming to Hollywood.”

But before the 11th-floor poolside destination debuts, several other players hope to ratchet up the Vegas-style sizzle in Tinseltown — despite a playing field arguably already saturated with glitzy cocktail lounges and high-end clubs, such as the recently opened MyHouse and the struggling, though decidedly Vegas-esque Kress.

Elie Samaha, who helped bring Los Angeles the Roxbury and the Sunset Room, is such a believer in Hollywood that this summer he is opening a 12,500-square-foot lounge/club hybrid dubbed Playhouse inside the old Fox theater on Hollywood Boulevard.

“I’ve always believed in the neighborhood,” the film producer and former Studio 54 doorman said from his office this week. “All the stuff going on at the Kodak [including another Vegas export, Cirque de Soleil, which begins a run next year] and Mann’s Chinese is drawing more tourists than ever. It’s no longer just about the locals in Hollywood, and the time is now for more development.”

And though Samaha’s track record as a film producer may be mixed (he helped produce one of the most notorious box-office bombs of all-time, “Battlefield Earth”), the Lebanese immigrant has a better track record of sensing night-life trends.

“When I opened the Roxbury in the 1990s, everybody was laughing at me and they thought I would last just six months,” he said. “Playhouse is more special to me than the Roxbury even,” he said of his long-delayed club. He and his partners have spent millions since last year renovating the old Fox Theater.

Like the forthcoming club at the W, Playhouse will feature Vegas-esque sizzle, with a monthly Cirque-type show featuring aerialists and the occasional gig by Sin City personality Jeff Beacher, known for his “Beacher’s Madhouse” variety show that has drawn celebrities to its former home at the Hard Rock Hotel and Casino.

Some might argue that the “Vegasization” of Hollywood began earlier this decade, with slick clubs that cater to the lowest common denominator such as the Highlands.

The club above the Hollywood & Highland complex barely registers on most hipsters’ radars yet rakes in serious cash every weekend (the multilevel venue recently came in at No. 19 on Nightclub & Bar magazine’s list of the 100 top-grossing nightclubs in the country).

Smaller bars set for opening this year are legion, including the Essex, Boho, the Supper Club at the Vogue Theater, Public House, 45, the Lounge at Palihouse Vine, Halo and the Capital City Sports Grill. But not everyone thinks Hollywood can shake the stigma of seedy streets, despite the fresh cash infusion the big clubs like the Playhouse and Drai’s L.A. portend.

“With Katsuya, Beso, the Kress and others, you’ve got some excellent dining and partying choices in Hollywood that match anything in Beverly Hills,” says actress Lorielle New, a familiar face on the L.A. club scene. “The difference is that you still have a higher risk of getting mugged or robbed on the streets of Hollywood. That’s not a good way to end an evening.”

charlie.amter@latimes.com

Consumer Outlook Picks Up

Filed under: About The Nightlife Industry — admin @ 4:43 pm

By Michael GaddAug 26, 2008

After hitting bottom this year, confidence in the U.S. economy improves, the Conference Board reports.

Consumer confidence improved for the second straight month in August, though the outlook on jobs and the economy remained grim, the Conference Board reported this week.

More consumers this month said they believed business conditions would improve in the months ahead, leading to more jobs, the New York-based private research group said.

Despite the gains, the overall outlook remained at record lows.

“Perhaps consumers are feeling that we’re nearing a bottom or we’re at a bottom, and that things can’t get much worse than what they currently are,” said Lynn Franco, the group’s director of consumer research.

Franco said more persistent improvements were needed before saying the worst was over.

The results were based on a survey of 5,000 U.S. households.

October 13, 2009

Taylor Swift, Michael Jackson Lead AMA Nominations – People Magazine

Filed under: Entertainment — admin @ 1:29 pm

MTV.com

Taylor Swift, Michael Jackson Lead AMA Nominations
People Magazine
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Jon Gosselin Ordered to Return $180000 – TMZ.com (blog)

Filed under: Entertainment — admin @ 1:17 pm

The Canadian Press
Jon Gosselin Ordered to Return $180000
TMZ.com (blog)
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Review: Paranormal Activity is Abnormally Scary – Seattle Post Intelligencer

Filed under: Entertainment — admin @ 12:35 pm

Los Angeles Times
Review: Paranormal Activity is Abnormally Scary
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Hearing in Anna Nicole Smith case under way – The Associated Press

Filed under: Entertainment — admin @ 12:00 pm

New Zealand Herald
Hearing in Anna Nicole Smith case under way
The Associated Press
LOS ANGELES — Prosecutors have started presenting testimony to a Los Angeles judge in a preliminary hearing of a criminal case stemming from the drug-overdose death of celebrity model Anna Nicole Smith. Smith's former lawyer-boyfriend Howard K. Stern
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